Nobody else really had any interest in art. “I didn’t fit in really anywhere in my family,” says McMillen. Christians,” or born-again Christians recovering from addiction. His mom’s side of the family, including his grandmother, consisted of devout Catholics, while members of his dad's side were what he called “A.A. Hailing from Watsonville in Santa Cruz County, California, McMillen mostly grew up with his grandmother. McMillen has long felt like he doesn’t belong. We sat down with McMillen for an extended conversation to learn about the unique path the artist and designer took to become one of the most successful independent game developers of this era.
And yet, through all this success, McMillen has felt like an outcast. Whether you're talking about his early days churning out cult-classic games with Adobe Flash or his mainstream success with titles like Super Meat Boy and The Binding of Isaac, McMillen is one of the greatest success stories to come out of the millennium’s early indie boom. Over the last two decades, Edmund McMillen has made a name for himself in the game industry as one of the preeminent hitmakers in the independent development scene.
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